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24580 results for: ‘Department of The History of Art and Film’

  • Property Rights and Ownership

    Module code: LW2001 Most businesses need land and buildings to operate.  If a business owns its own land, this could be a freehold.

  • Sarah Casewell

    The academic profile of Dr Sarah Casewell, STFC Ernest Rutherford Research Fellow and Lecturer at Âé¶¹ÊÓÆµ

  • Give by post

    We accept donations to the Âé¶¹ÊÓÆµ via post. Learn more about giving through the post.

  • Posted by Stephen Walker in Leicester Learning Institute: Enhancing learning and teaching on July 5, 2016 When you set up a Turnitin assignment you have to choose a Post Date. This is the date that students will be able to see their grades and comments via GradeMark.

  • 2022 statistics

    The Division of Biomedical Services are committed to being open about animals used in research. The data below shows the number of animals used for scientific procedures in 2022.

  • Develop your workforce

    We offer services which allow you to access our hi-tech equipment and first-class facilities directly to support your business needs. Find out about CPD, consultancy, equipment and more.

  • Roger Kipling BA MA PhD

    Learn more about our Project Officer of ULAS, Roger Kipling.

  • Engaging Audiences

    Module code: MU7017 This module considers how museums communicate with diverse audiences. It is comprised of lectures and workshops followed by studio time, where you'll put your ideas, experiences, and theoretical tools into practice.

  • Activist Practice: Methods of Empowerment

    Module code: MU7563 Museums increasing commitment to communities, audiences, and social purposes has led to rapidly changing approaches to practice and new perspectives on what the core work of cultural organisations should be.

  • Activist Practice: Methods of Empowerment

    Module code: MU7563 Museums increasing commitment to communities, audiences, and social purposes has led to rapidly changing approaches to practice and new perspectives on what the core work of cultural organisations should be.

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